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Tony Rosenthal: 1914-2009
Best known for his Monumental
Public
Art Sculptures created over seven decades, Tony Rosenthal
received his first Public Art Commission for a Figurative Sculpture for the 1939 World's Fair. Born
Bernard Rosenthal, August 9, 1914, in Highland
Park, Illinois, Tony Rosenthal passed away July
28, 2009, in Southampton, New York. While the Artist
dedicated his life to Art; Rosenthal reluctantly attended Saturday Art classes
at the insistence of his Mother, an Opera Singer,
at the Chicago Art Institute, learning the craft of Sculpture, eventually becoming Studio Assistant. to Alexander
Archipenko, the Modern Master.
The Sam Kootz Influence
The 1960's were a significant turning point for Tony Rosenthal as he changed his Name from "Bernard Rosenthal" and abandoned Figurative Sculpture. Sam Kootz, Rosenthal's Art Dealer, who also represented Pablo Picasso, convinced Rosenthal to concentrate on creating Abstract Geometric Sculptures which won Rosenthal even wider acclaim. Sam Kootz also encouraged the Artist to use his nickname, "Tony", and since 1960, was professionally known and credited as Tony Rosenthal.
Tony Rosenthal, Public Art Legend
Named a Public Art Legend by Sam Hunter, Professor and Art Critic, Monumental Outdoor Public Art Sculptures by Tony Rosenthal are located in many of the largest United States Cities, including Beverly Hills, CA; Detroit, MI; Highland Park, IL; Honolulu, HA; Los Angeles, CA; Miami, FL; New London, CT; New York, NY; Norfolk, VA; Philadelphia, PA; San Diego,CA.

Beverly Hills, CA |

Detroit, MI |

Highland Park, IL |

Honolulu, HA |

Houston, TX |

Los Angeles, CA |

Miami, FL |

New London, CT |

New York, NY |

Norfolk, VA |

Philadelphia, PA |

San Diego, CA |
Edward Albee: Rosenthal's objects instruct us, alter our perceptions, disturb and thrill us by their audacity
In the introduction to Sam Hunter's "Tony Rosenthal," Monograph, published by Rizzoli, 1999, Edward Albee, three-time Pulitzer Prize winning Playwright states "Tony works in all sizes. His monumental outdoor pieces, set in landscapes or in busy city spaces, seem always to have been there. His more intimate Wall Sculptures and standing forms have a monumentality no matter what their actual size. Like all the important metal workers - like Stankiewicz, like Caro, like Serra, like Chamberlain - Rosenthal's objects instruct us, alter our perceptions, disturb and thrill us by their audacity, their wonder and their inevitability."
Diverse Range of Sizes, Shapes & Mediums
Tony Rosenthal constantly explored Sculpture,
whether it be monumental or just a few inches,
in a variety of mediums including, steel, bronze,
aluminum, brass, wood and concrete. Tony
enjoyed all Aspects of Art, and unlike so many
Sculptors, hand crafting both macquettes and
many of the larger versions himself. Rosenthal
relished the process of making Art as well as
the Public interaction with his Art. Rosenthal
earned a B.F.A. from both the University
of Michigan and the Cranbrook
Academy of Art, and acknowledged his gratitude
by donating his Archives to Cranbrook.
Cubes
& Squares Sculptures
Tony Rosenthal Cube
Sculptures are like a city, intelligent
formations with secrets, hiding, balancing and
finding in limitations all the possibilities
of a mixed society. Within a Tony Rosenthal
Cube, we see other shapes, planes, exposed
creating steps or stairs, like a mountain difficult
to climb. But climb we do, because it is the
invention of clean geometry that makes man other
than nature.
Tony Rosenthal's Landmark 1967 Alamo Sculpture, also known as Astor Place Cube
Tony
Rosenthal's "Alamo", the
Monumental 15 foot Cor-Ten Steel Sculpture,
also known as the Astor
Place Cube, the Artist's most famous
Public Art Sculpture, and considered a NY Landmark. Tony
Rosenthal "Alamo", 1967, was first
installed at Astor Place as part of Doris C.
Freedman's "Sculpture in Environment"
Installation, sponsored by the New York
Administration of Recreation & Cultural
Affairs and now one of five Public Art Sculptures in New York City by Tony
Rosenthal.
Rings,
Discs & Rondo Series Explored Over Five Decades
Tony Rosenthal explored the Rings,
Discs & Rondo Series for five decades, creating both small and large scale Sculptures. 24/7 in New York, Philadelphia and Antwerp, you can see a major Tony Rosenthal without going to a Museum. Rosenthal's created his Ring
Series so the Works react to the invasion of their
environment; in effect, the Sculpture itself becomes
a frame, with which to see the environment through.
Being framed by the romance of a point of view,
the feeling of movement, and the reverberation of
movement, those who pass 5 in 1, the 35 foot Sculpture at 1 Police Place enjoy the juxtaposition of the Sculpture within New York's financial district, whether they are summoned to jury duty, going to or from work or just enjoying the sites. Viewers see the vigor from the choices
that are commanded by Rosenthal's Discs Sculptures; Tony Rosenthal finds, discovers and
reports to us what we might not have seen without
him.
Tony Rosenthal Wall Sculptures
In his ninth decade, Tony
Rosenthal created a masterful Series
of Abstract Wall
Sculptures. In Rosenthal's 2006 Wall Sculpture Cat's Eye Series, the
yellow and black shapes resemble the human figure in profile within the confines of geometric circles and rectangles.
Tony Rosenthal Accumulations Series
Tony Rosenthal commenced Accumulations, in 1997, a Series of Freestanding Steel Sculptures, he called "three
dimensional sketches" that seem to float
in space. By adding one unit to another, Tony
Rosenthal welded each element into place, forming Accumulation
Sculptures in large and small size, each with interacting formal units that look like they could be randomly placed.
International Solo & Group Exhibitions
Throughout his career, Mr.
Rosenthal exhibited all over the world in solo and group shows. In addition
to the legendary Kootz Gallery, New York, Tony Rosenthal received numerous one man Exhibitions at M. Knoedler & Company,
New York; André Emmerich Gallery, New
York; Maxwell Davidson Gallery, New York; Catherine
Viviano Gallery, New York and Denise Rene, Paris.
Tony
Rosenthal Art in Prestigious
International Museum and Public Collections
- Albright-Knox
Art Gallery, Buffalo, New York
- The
Chrysler Museum, Norfolk, Virginia
- Department
of Parks and Recreation, New York
- Fashion
Institute of Technology, New York
- Guild
Hall Museum, East Hampton, New York
- Israel
Museum, Jerusalem
- The
Museum of Modern Art, New York
- National
Museum of American Art, Smithsonian Institution,
Washington, DC
- The National
Gallery of Art, Washington, DC. (Robert
and Jane Meyerhoff Collection)
- The
Solomon R. Guggenheim Museum, New York
- Whitney
Museum of American Art, New York
- Yale
University Art Gallery, New Haven, Connecticut
Tony Rosenthal Solutions for Complexity
It can be said that Tony
Rosenthal's Sculptures presents the solutions
for complexity finding order; sometimes it feels
like tackling a problem, sometimes the appeal
is emotional like the gestures of a dance or
survival. But Tony Rosenthal Sculptures always revel
in the element of discovery, finding his way
through arrangements of line and space like
the strong power and strength of a candid camera
moment, expressing the fleeting excitement of
process, remaining because a sculptural rendition
is created. Rosenthal allows us to look at remembrance,
recalling life as it was, or what we desire
that it may be. |