|
|
|
|
Tony
Rosenthal
"5 in 1", 1973-74
Under Construction |
Tony
Rosenthal
"5 in 1", 1973-74
Unpainted, 1973 |
|
|
Tony
Rosenthal
"5 in 1", 1973-74
Painted CorTen Steel
35 x 28 x 42 feet
Collection: City of New York
One Police Plaza
© Tony Rosenthal/Licensed by VAGA,
New York, NY
Tony
Rosenthal's Art is so familiar and has been part of
the Public Art Landscape for decades that more people
recognize Tony Rosenthal Art than known the name of
the man who created it.
5 in 1, Tony Rosenthal's 35 Cor-Ten Steel Sculpture,
was the second of five Public Art Sculptures, created
by the Artist now on Permanent 24/7 display in New
York City. Rosenthal's Alamo, 1967 was not only the
first of five New York City Public Art Sculptures,
but also has the well-known distinction of being the
first Post War Contemporary Sculpture purchased by
The City of New York.
5 in 1 consists of Five interlocking discs which represent
the interconnectedness of the City's Five Boroughs,
Bronx, Brooklyn, Manhattan, Queens and Staten Island.
Although Tony Rosenthal created Abstract Art for over
five decades, there was nothing random in the process
of creation and his Maquette is no different. Rosenthal
envisioned interlocking discs painted red in Maquette's
for 5 in 1.
However, a lack of funds prevented the Red Coat of
Paint specified by Rosenthal, and the Sculpture was
initially installed with the raw Cor-Ten Steel exposed.
Because of the exorbitant cost of constantly removing
graffiti, funds were raised to paint the 5 in 1 Sculpture
Red, ultimately completing the One Police Plaza Commission
with the Artist's original vision.
It has been 35 years since the Tony Rosenthal 5 in
1, 1973-74, Sculpture was installed; like many Public
Art Sculptures, a program of maintenance is vital.
Because of years of neglect, the sculpture requires
extensive structural restoration to preserve this
million dollar landmark, now part of the lower Manhattan
landscape at One Police Plaza.
We have been informed that the Design Commission of
the City of New York does not have the funds to restore
the sculpture and as a result, must count on contributions
from the Adopt-A-Monument program.
The
Adopt-A-Monument program helps to preserve Public
Sculpture in New York City and around the Country.
Mr. Rosenthal's Alamo, was the first Public Sculpture
to be conserved by the Adopt-A-Monument program, and
now 5 in 1 requires similar attention.
|